Exploring the Mixed Emotions of CHICAGO at The 5th Avenue Theatre

CHICAGO Returns to Seattle with a Familiar Flair

It’s that time again—CHICAGO is back in Seattle at the 5th Avenue Theatre, inviting audiences to plunge into a world of murder, deceit, and jazz. This much-celebrated musical, written by John Kander and Fred Ebb, brings forth a narrative steeped in celebrity culture and moral ambiguity. Although familiar, this production offered a mix of nostalgia and a hint of disappointment.

A Delivery that’s Familiar Yet Lacking

The story of Velma Kelly and Roxie Hart, doused in scandal and charm, is essentially unchanged. Experienced theatregoers often feel a unique thrill watching these characters weave their webs of deception as they battle for fame. However, several critiques surfaced about the delivery this time around. While Claire Marshall (Velma) and Ellie Roddy (Roxie) showcased impressive vocals, they didn’t project the striking energy that has characterized past performances. Marshall had moments of sparkle, yet a consistent allure was absent, and many audience members have attested to the same. Likewise, Max Cervantes as Billy Flynn lacked the charismatic swagger expected from this iconic role, leaving audiences yearning for a deeper resonance that ties characters to their outrageous backstories.

Showstoppers Shine Amidst Dull Spots

Amidst this lackluster atmosphere, standout performances emerged. Illeana “illy” Kirven as Mama Morton provided much-needed charisma, effortlessly commanding the stage and showcasing her powerful voice. Marc Christopher, tasked with the role of Amos Hart, was another surprise, gripping the audience’s attention during his solo. These performances reminded us of the glitz that CHICAGO is known for, yet they only somewhat alleviated the overall feeling of a production lacking the vitality and extravagance often associated with its legacy.

Production Quality: A Mixed Bag

The production quality, notably the choreography by Ann Reinking inspired by Bob Fosse's original designs, remains a highlight of CHICAGO. This clearly shows a devotion to maintaining the show's aesthetic appeal. However, aspects such as a smaller band and a less vibrant staging seemed to contribute to an underwhelming experience overall. The frequent pivot from higher energy dance numbers to quieter moments didn’t quite land as expected, and the staging sometimes felt more subdued than in past iterations.

Where Does This Leave Us?

In this latest rendition of CHICAGO at the 5th Avenue Theatre, nostalgia intertwines with unmet expectations, prompting an intricate examination of what makes a theatrical experience memorable. Nostalgic fans now assess the balance between the should-be exuberant characters and performances that faltered in their depth. Though still a comfort musical, this production feels more like a gentle hug rather than a bold embrace.

With performances scheduled until November 2nd, those keen for a trip down theatrical memory lane can relish the high notes and appreciate the many award accolades attached to this legendary show. Tickets can be acquired through the Seattle Theatre Group's official website. Ultimately, while I leave with a “YAY-,” it’s a compassionate critique of a classic that deserves to shine brightly.