Add Row
Add Element
Broadway buzz logo
update
London's Broadway Buzz
update
Add Element
  • Home
  • Categories
    • Star Stories
    • Backstage Access
    • Musical History
    • Broadway Talks
    • Weekly Wrap
    • Director's Cut
    • Fan Spotlight
    • London Music Scene
February 16.2026
3 Minutes Read

Lincoln Center to Host the Musical Prince of Egypt in 2027

Scene from Prince of Egypt Musical at Lincoln Center 2027

An Exciting Return: The Prince of Egypt Comes to Lincoln Center

Get ready, Broadway enthusiasts! An all-new concert production of The Prince of Egypt is set to light up Lincoln Center's David Geffen Hall in February 2027, according to recent reports shared online. Although no official announcement has been made yet, this news has sparked excitement among fans for what promises to be a spectacular reimagining of the beloved musical.

The Journey of a Timeless Musical

The Prince of Egypt musical boasts music and lyrics by the renowned Stephen Schwartz and a book by Philip LaZebnik, mirroring the epic story of Moses found in the Book of Exodus. Initially brought to life by DreamWorks Animation in 1998, the musical has experienced a fascinating evolution since its inception. The journey began with a workshop in 2015, leading to its first production in California in 2017. Later, a revised version made waves during its 39-week run at London's Dominion Theatre starting in 2020. Despite facing interruptions due to the pandemic, the London production was met with praise for its innovative designs and storytelling.

What to Expect from the Upcoming Concert Production

Details about the upcoming concert are still under wraps, including casting and creative team members. However, theatergoers can anticipate the same dazzling music and narrative that fans have cherished for years. This production aims to revisit and celebrate the dramatic arc of Moses's life—his journey from princely status in Egypt to a leader guiding the Children of Israel toward freedom.

Global Reach and Cultural Impact

With the announcement of this Lincoln Center engagement, it raises discussions about the role of musical theater in understanding historical narratives and cultural themes that resonate across time. Productions like The Prince of Egypt serve not merely as entertainment but as a conduit for exploring themes of faith, freedom, and identity. Considering its historical roots and contemporary relevance, this musical is likely to attract a diverse audience eager to engage with its powerful story.

A Look Back: The West End Revival

During its revival in London, The Prince of Egypt saw an impressive cast, including Luke Brady as Moses and Liam Tamne as Ramses. The production was meticulously crafted with contributions from a talented design team, featuring stunning stage visuals and memorable performances. Despite facing major disruptions, the show managed to connect with audiences, proving the resilient spirit of the theater community.

Filming for Future Audiences

Adding another layer of excitement, the London production was filmed and is set for future broadcast. The captured performance showcases how theater can adapt to reach wider audiences. Released theatrically in October 2023 and later on streaming platforms like BroadwayHD, it offers a taste of the magic experienced by those who attended live performances.

Conclusion: A Must-Attend Event

The announcement of The Prince of Egypt at Lincoln Center is a thrilling prospect for musical theater lovers. As further details unfold, anticipation will grow for this unique concert that promises to deliver both nostalgia and a fresh perspective on the cherished tale of Moses.

Backstage Access

3 Views

0 Comments

Write A Comment

*
*
Related Posts All Posts
02.15.2026

Broadway's Musical Drought: Is It Time for a Creative Revival?

Update The Musical Drought on Broadway: A Closer LookAs Broadway gears up for the 2025-2026 season, whispers of a musical drought have reached a crescendo. With only six new musicals slated for the upcoming awards race, industry insiders are questioning whether the art form's survival is at stake. Historically, this number pales in comparison to previous seasons, which often boasted double the amount of new entries. What lies behind this drastic drop?Understanding the Numbers: Past vs. PresentOver the past four seasons leading up to the pandemic, Broadway typically welcomed 11 new musicals each year. Even during the first challenging seasons post-pandemic, an average of eight to nine new musicals made their way to the stage. The stark contrast with this year's mere six indicates a worrying trend.Economic Pressures Impacting BroadwayThe financial landscape for new musicals is undoubtedly troubling. Rising production costs combined with stagnant ticket prices have put producers in a precarious position. With many investors appearing gun-shy, hesitant to invest in new productions that may not recoup their costs, the industry finds itself in a unique bind. Andrew Lloyd Webber's comments underscore this concern, likening the current market to a crisis for the musical theatre realm.Old Theatrical Blockbusters: The Space and Demand IssuesInterestingly, even as new productions dwindle, existing shows continue to thrive, occupying valuable theater space. With all 41 Broadway houses booked through the award deadlines, the potential for new musicals struggling to find a home becomes evident. This bottleneck not only stifles fresh talent and creativity but also makes the upcoming season seem even more bleak.Comparative Insights: The London Stage vs. BroadwayWhen comparing Broadway to London's West End, it’s clear that the dynamics differ significantly. The West End, with its smaller venues, often encourages more creative risk-taking. Broadway's larger theaters and its dependence on tourist attendance create an environment where producers often play it safe, leaning heavily on adaptations of existing material rather than fostering original works. This divergence hints at a need for Broadway to rethink its strategy if it hopes to revitalize and diversify its offerings.What Does the Future Hold for Broadway?Despite the current predicament, it’s too soon to declare a permanent drought of musicals on Broadway. A historical perspective tells us that Broadway is an ecosystem, characterized by its ebb and flow. Experts argue that unless we witness several consecutive years with such few productions, this may simply be a unique outlier in Broadway’s storied narrative.Creative Risks: A Path to RevitalizationPerhaps the most intriguing aspect of this dilemma lies in a call for creative risk-taking. Many argue that the industry’s reluctance to embrace original material is partly responsible for producing lackluster offerings. A broader embrace of innovative storytelling could not only risk financial return but also invigorate theatergoers' interest and attendance, especially if ticket pricing can adapt to current economic realities.Final Thoughts: Time for Reflection and ActionAs we reflect on the current state of Broadway musicals, the need for a revival of creativity, economic strategy, and artistic investment couldn't be clearer. Now is not the time to panic, but rather a pivotal moment to strategize and innovate, ensuring that the show goes on in the vibrant world of musical theater.

02.14.2026

Exploring Love's Pain and Joy in Shadowlands: A Powerful Journey

Update Unraveling Love and Grief in ShadowlandsIn the poignant play Shadowlands, C.S. Lewis's profound journey through love and loss takes center stage, underscoring the bittersweet nature of human relationships. Adapted from his own experiences by playwright William Nicholson, this production delves into the life of one of the 20th century's most loved authors and his late-in-life marriage to Joy Davidman, captivatingly portrayed by Maggie Siff alongside Hugh Bonneville as Lewis.A Transformative NarrativeOriginally staged in 2019 at Chichester, this adaptation arrives at the Aldwych Theatre, echoing the emotional gravity Lewis shares through his own words: "The pain I feel now is the happiness I had before. That's the deal". Bonneville’s C.S. Lewis is portrayed as amiable yet emotionally reserved, slowly unveiling the layers of his heart as Joy, a spirited American poet, interrupts his staid life in Oxford with her verve and candor.C.S. Lewis: The Man Behind the MythAs one who created fantastical worlds for children in his beloved works, Lewis himself grapples with his capacity for happiness until he meets Joy. The portrayal of their relationship, rich with wit and understanding, reflects the uncomfortable juxtaposition of a devout man struggling with societal expectations against the raw reality of falling in love, especially with a divorced woman during the 20th century. As noted in other reviews, Siff’s Joy is a formidable character—a refreshing contrast to Lewis's academic circle, boldly challenging the misogynistic undertones present in their interactions.Warmth and Wit in PerformanceBonneville’s portrayal resonates well, showcasing warmth and humor while still navigating the depths of sadness as he confronts the inevitability of Joy's cancer diagnosis. Despite some critiques regarding the production’s pacing and direction, his embodiment of a beloved literary figure echoes through each interaction, encouraging audiences to feel not just empathy but a personal connection to Lewis’s plight.Visually and Emotionally EngagingThe set design by Peter McKintosh, dominated by towering bookshelves reminiscent of the worlds Lewis created, works wonderfully to symbolize both the comfort of familiarity and the pain of impending loss. This stark backdrop enhances the emotional tone of the production, where moments of levity seamlessly dance with the underlying themes of grief.A Timeless Exploration of Love's Fleeting NatureWhile some critics argue that the pacing may leave certain emotional scenes feeling underdeveloped, others find the charm in its slow build, culminating in an impactful portrayal of love found and lost. With lines that both provoke thought and evoke laughter, particularly when Lewis and Joy engage in their sharp banter, the play balances humor with heartache beautifully.In the end, Shadowlands serves as an invaluable reminder of the joys and sorrows inherent in deep emotional connections. It demonstrates that while love is fleeting, the impact it creates endures, weaving through the fabric of our lives long after its physical presence fades. Whether you’re celebrating love or reflecting on loss, this production is poised to resonate deeply with viewers.

02.13.2026

Sean Hayes Takes the Stage in “The Unknown”: An Engaging Solo Thriller

Update Exploring the Intriguing Layers of “The Unknown”Sean Hayes, best known for his dynamic roles in television and Broadway, takes on a new challenge in the solo play “The Unknown.” Written by David Cale and directed by Leigh Silverman, the production has sparked considerable interest and debate. Hayes portrays Elliott, a writer whose struggle with writer's block leads him to a remote cabin, where he becomes embroiled in a mysterious psychological thriller. This play explores the thin line between creativity and obsession, showing how personal experiences can influence artistic expression.The Atmospheric Setting Plays a Crucial RoleOne of the unique elements of “The Unknown” is its setting. Critics highlight how the intimate environment of Studio Seaview transforms the performance into an almost voyeuristic experience. As Helen Shaw of The New York Times noted, the design and sound elements create a hypnotic atmosphere, enhancing the tension of the story. Lighting by Cha See works in tandem with Caroline Eng’s sound design, crafting a world where the audience feels ever-present in Elliott’s psychological unraveling.Sean Hayes: A Versatile PerformerHayes shines as he embodies several characters throughout the play, showcasing his skills as a performer. His ability to shift between different personas captures the audience's attention, but it also raises questions about the character dynamics at play. Critics have pointed out that while Hayes’s performance is engaging, some characters lack depth. As noted by Joe Dziemianowicz in the New York Theatre Guide, the narrative occasionally skims over significant themes, leaving the audience longing for more profound connections.Criticism and Praise: A Mixed Bag of ReactionsThe reception of “The Unknown” has been a mixed bag. Some reviewers appreciate the thriller's psychological depth and Hayes's standout performance, while others criticize the plot for its lack of cohesion. For instance, Adam Feldman in Time Out New York pointed to the play as primarily potent entertainment, yet hinted at its familiar territory regarding writers and their work. There’s consensus that although the production is captivating, it doesn't fully deliver on its thrilling potential, with some audience members describing it as lacking a strong punch at the end.Conclusions: What Is Next for “The Unknown”?The play has undoubtedly piqued the curiosity of theatre-goers, especially followers of Sean Hayes. With its intriguing blend of suspense and psychological introspection, “The Unknown” offers a fresh perspective on the complexities of creativity and personal struggle. Audience members who appreciate nuanced character studies mixed with existential themes will find value in attending. As the play continues to perform, it will be interesting to see how audience reactions evolve.This production serves as a reminder that in theatre, as in life, the boundaries between reality and fiction often blur. It invites the audience to question not just the characters' motivations but also the harrowing perceptions attached to creativity and the often painful pursuit of artistic expression.

Terms of Service

Privacy Policy

Core Modal Title

Sorry, no results found

You Might Find These Articles Interesting

T
Please Check Your Email
We Will Be Following Up Shortly
*
*
*